Tuesday, September 12, 2017

Listening to the visual


I'm going on something of a computer fast (for a reason that I'll talk about later) till near the end of this month.... Feel free to leave me a note; I will answer eventually! I also have some new book news that I may be able to talk about soon.

I have a good many friends who are painters, and a number of them live in the space that looks as if it exists after photography and its transformations, after Modernism and its shocks; they participate in the return to figuration, narrative, and realism, but they aren't fully realist in the sense of someone like Jacob Collins or Juliette Aristides. I have an interest in the how and why of the return to realism among so many artists, especially since it parallels the return to meter and rhyme and forms in poetry. Lately I have looked at or listened to videos and podcasts about that resurgence; many of the video/audio pieces below fall into that category but not all. 

In poetry and fiction, we have a sense of the materials, the sound and sense of words--yes, we can be carried beyond the work in some way. We can be lost in sound or story for a time. But art in words is both guide dream and little black marks on the page or, read, aloud, "a mouthful of air"; as readers, we're busy translating and so are in two places at once. Paint can go very far, can become photo-realistic, can fool the eye. Where is the line, how much finish ought there to be, how much should the viewer be aware of the medium? Is some pleasure lost when we lose that sense of brushstrokes and layerings of paint? I suppose the contrast with writing is more the difference between limpidity and roughness or an aureate style.

I'm especially fond of the Suggested Donation series with Tony Curanaj and Ted Minoff, all with the recording engineering (and sometimes co-comments) of musician Jay Braun. I have not found one that is not an interesting listen. Great coming-of-age stories, great turning-of-the-wheel of art toward the future by harnessing tradition, metaphysical flourishes, practical discussion of skills. The psychology of art video is also intriguing.


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A short film by Alvaro Aro about Missouri artist Ali Cavanaugh. (Vimage Studios 2011.) Youtube. Watercolor on kaolin. People often ask me about how I have managed being a poet, novelist, and a mother of three--well, here's a modern-day painter of frescoes with a batch of lively children. Cavanaugh makes compromises, having to use fragments of time and also utilizing photographs of her models. (My version of this also involves bits of time. And concentration in what time I have.) The David Jon Kassan podcast also deals with this problem, as he took care of his son as a baby and has continued to be responsible for him. 

Burton Silverman. Suggested Donation. Episode 31. Ideas of the universal, painterly qualities to the work, self-indulgence in art, artists and family, curators and teachers who think arts started with Cezanne, work that is "halfway" between realism and Modernism, the illusion of self-expression as belonging to Modernism, annihilation of skills as important in Modernism, teachers' attempts to suppress his childhood skills, not becoming a slave to the past, transformation after WWI, declining roles of church and royalty, retrieval of the academic tradition, a type of cloying, retrogressive painting, "the more I know, the less I know," the importance of being unsure, the "itness" of things, etc. He talks about Modernism as exacerbating a feeling of public uncertainty--Modernism's paintings with a lack of story as bound to inhuman environments, corporate mentality, and inhuman environments, and more. Validation, patronage. Witnessing and recording history: illustrating seminal black protests in Alabama in the 60's. A little low in volume but well worth a listen.

Daniel Sprick. Suggested Donation. Episode 32. Daniel Sprick is widely considered one of the leading realist painters. His work is featured in numerous private and public collections including the Denver Art Museum, the Smithsonian American Art Museum in Washington, DC, and the Arkansas Art Center in Little Rock.

David Kassan (KAS-san). Suggested Donation. Episode15. "Falling down the stairs and landing on your feet." Skills and weight in painting. (I really like the podcasts that try to grapple with what it is that takes a painting beyond realism to something more--the heft or freight of life, the energy of life.) Lots of interesting talk about contemporary painters outside North America, including various Israeli painters and Antonio López García. Discussion of the difficulties of being the at-home parent and trying to paint.

Exploring the Psychology of Creativity, 2017. "What is creativity? Can we develop it, or is it innate? Watch the conversation between Marc Mayer, Director and CEO of the National Gallery of Canada, and Dr. Jordan Peterson, Professor of Psychology at the University of Toronto, which took place March 9, 2017 at the National Gallery of Canada." Good conversation, in places closely related to Peterson's lectures on personality.

Suggested Donation: Jacob Collins. Podcast series. Episode 4. http://www.suggesteddonationpodcast.com/blog/2014/4/14/episode. Major figure in the return to realist art. Founder of the Water Street Atelier, Grand Central Academy, and Hudson River Fellowship. For more about Jacob Collins, see Adam Gopnik's "Life Studies" in the New Yorker. Clip from "Life Studies":  Jacob was always trying to strike a decent mean between affirmation of his secret faith that art had been going wrong since the eighteen-sixties and his desire not to get caught up in the reactionary grievance-keeping that disfigured much of the revivalist world he lived in. “You’ll outgrow wanting to draw the world as it is, searching for this beauty, this place where light and the body meet—that was the attitude of most of the art teachers I had,” he went on. “So I had to re-create a world in which I could do the kind of drawing I wanted to do. I wasn’t alone in this. There were quite a few of us trying, and, bit by bit, and book by book, and practice by practice, we tried to remake the world of atelier realism that had been discarded and abandoned.” Over time, he assembled a group of teachers and students and enthusiasts, all given over to the practice of classical drawing from life and plaster casts, and from that nucleus came this studio and then the Grand Central Academy.



Suggested Donation: Juliette Aristides. Podcast series. Episode 20. Instructor of Aristides Classical Atelier at the Gage Academy of Art. Lovely, literate, thoughtful discussion of life, beauty, skills, brokenness, what lasts, and the nature of a life of making art. This one is a real discussion, interesting back and forth, and Aristides is wonderfully able to form her thoughts in words. "Juliette Aristides is a monumental figure in the classical art community. Her . . . books on painting have been hugely influential to a generation of artists . . . ." Issues of investment of self in a time without proper response, the online world as a response to the debased environment, the classical atelier and the narrative arc of education, truth and art, art and the feeling that life matters, a context for work that lasts and has meaning, the ability to think and go deep (vs. online life), the personal encounter with paintings, art as backdrop for real life in earlier times, drawing as meditation and connection with life and self--as an antidote to the remoteness of current life with its online hours, physical beings needing physical connections to a physical world, etc.

Michael Klein. Suggested Donation, Episode 9. Interesting podcast with a painter from rural Minnesota who found his way to New York and Argentina. It reminds me a bit of Makoto Fujimura because he talks about being troubled by beauty and what it is for and resolves the issue some time after he becomes a Christian.

Odd Nerdrum: The Self-portrait. Nerdrum Pictures, 2015.

Odd Nerdrum. Time Water Recollection. Norwegian documentary, 1992. Strange and beautiful, with lots of images of Iceland and Nerdrum's home in Norway. The sub-titles end part-way through, but it's still wonderful to see.

Patricia Watwood, Part 1. Suggested Donation. Podcast series, Episode 3. "We talk about her solo show "Venus Apocalypse", education, influences and her perspective as a female artist."



Peter Trippi on Alma-Tadema. Suggested Donation, Episode 35. This year I saw the beautiful show at The Clark Institute he talks about at one point. His curated Alma-Tadema traveling show (in the Netherlands and Venice and London) sounds wonderful. 

Sharon Sprung. Suggested Donation. Episode 26. Great story about Sharon Sprung at 19 and Harvey Dinnerstein. She says Dinnerstein taught her what it meant to be an artist. A purist. "I'd never seen anybody so immersed in anything." Dan Green taught her skills. Quirky coming-of-age story, with lots of talk about older writers and a keen understanding of her own nature and particular demands. I'm still listening to this one... She's a character, quite stubborn and particular in her desires in how to work. And she's one of many examples of how an early death in the family forges a path in the arts. I find it fascinating that her mother threw away every image of her dead father to protect herself, and later Sharon Sprung became a maker of figurative images. Lots of good talk about teaching, too, and the importance of working from life. She's funny! A real character.

The Nerdrum School. Interview w/ Luke Hillestad (2013)

Two Autumns. London: BBC. I'm fond of Thomas Reidelsheimer's lovely Rivers and Tides: Andy Goldsworthy Working with Time, a great documentary about Goldsworthy in the landscape. If you like that one, try this! Filmed in Scotland and Japan. If hobbits were less satisfied with home and good cooking went on adventures more often, I'm sure they could produce a visual artist like Andy Goldsworthy.



Vincent Desiderio. Suggested Donation, Episode 6. This one is quite good, particularly if you have an interest in art history. Very curious to look at the trajectory of Desiderio's own work. "Vincent Desiderio is one of the leading figurative painters of our time. His work is featured in collections including the Pennsylvania Academy of Fine Arts, The Metropolitan Museum of Art, The Guggenheim Museum, The Walker Art Center among many others. He is a senior critic at the New York Academy of Art and the Pennsylvania Academy of Fine Arts. Vincent has a reputation as one of the leading intellects in figurative art, and he did not disappoint. We are honored to have him join us on Suggested Donation, at the Salmangundi Club in New York City for a fascinating conversation about his work and his deep love for art history, film and philosophy."

Year in Review. Episode 13, Suggested Donations. 2014. Tony Curanaj and Ted Minoff and Jay Braun talk about the podcast. Close attention to one of Tony Curanaj's paintings.

Friday, September 08, 2017

Art that says life matters

See this and more photographs of Juliette Aristides
at The Bay Area Classical Artist Atelier post
about a 2012 workshop with the artist.
This year, the affliction of perpetual curiosity has sent me to podcasts related to the return to classical realism (or whatever you wish to call it) in painting. Perhaps because I have a lot of friends who are painters, perhaps because I'm always aware of the parallel of "art renewal" to the return of forms, meter, and rhyme in poetry, perhaps because seeing paintings has often felt like experience to me, I have been fascinated by people groping their way out of the mainstream, well-supported world of Koons and Emin and Hirst and into the rich world of Titian and Rembrandt and Caravaggio. I like many of the podcasts--they're often, at least in part, coming-of-age stories, and those always have an in-built structure that appeals--but one of them stands out to me. 

I'm recommending Juliette Aristides' conversation with hosts Tony Curanaj and Edward Minoff at Suggested Donation. The chat might be fruitful for you--it's thoughtful, graceful in places (surprising in a podcast), clear on the collision between what's lasting and the technological transformation of the world, exploratory and metaphysical in its aims, and wonderfully deep-diving (to borrow Melville's word for the profound when it's captured in a net of words.)

Who is Juliette Aristides? "Juliette Aristides is a Seattle based painter who seeks to understand and convey the human spirit through art. Aristides is the founder and instructor of the Classical Atelier at the Gage Academy of Fine Art in Seattle, WA.  Juliette teaches workshops both nationally and internationally. Author of Classical Drawing Atelier, Classical Painting Atelier, Lessons in Classical Drawing, and Lessons in Classical Painting, published by Watson-Guptill, NY." --aristidesart.com

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Eventually I'll post a list of my favorite podcasts / videos about painters and visual artists. I try to listen to one every time I walk the treadmill, and that grows more frequent once winter comes to Cooperstown....

Friday, September 01, 2017

What survives

Ramesses II
The only thing that ever survives from a culture is its arts. Political power is transient. Political power is nothing. It will vanish.  The most powerful man in the world is nobody. The only way we remember any of the powerful men of the world is the way they were captured by artists, often anonymous artists in ancient Egypt and Rome. The bequest of any civilization and the test of its quality is its arts. I feel that the left and the right, everyone across the political spectrum is guilty of offenses against the arts, and I hope that you will now go forth and be ambassadors for the arts. 
           --Camille Paglia, minus a few okays and may be a so or two

Wednesday, August 30, 2017

Powers of language in shadowy times

St. Elijah's Monastery near Mosul, Iraq, constructed in the late 6th century,
obliterated in the 21st century
Each of us is in contact with so many people via Facebook, twitter, the comments under online articles, and and so on, and I've felt burdened of late by certain dominant, humorless tendencies online. What if we tried to take a world that is slantdicular and often evil--something we simply cannot deny after Auschwitz, the Holodomor, the Gulag, the killing fields of Cambodia, the Rwandan genocide, Syrian gas attacks on children and families, and much more--and tried to make it stand up straight by each of us being examples of clear-speaking truth (with good humor and without obfuscation or jargon) with no residue at all of contempt and hatred? What if we made ourselves stand up a little straighter in the process? Maybe even we could even be examples of out-of-fashion plain old goodness, as best we could achieve it.

Could we each make a tiny but transformative difference in the world with words? Could we make the world a little better, small as we are? We are tiny compared to the mass of human beings, yet we contact so many others via online sites and social media, and they contact others in turn... Our word-reach is, in fact, enormous, and we have no idea how far the words go. Are we in fact making the world for ourselves and others a worse place by wielding so much scorn as a word-weapon (rather than generosity and humor and clear back-and-forth discussion where people learn from one another)? 

What if we kept to clarity of thought, practiced fair back-and-forth discussion, and sent out light-drenched word-bouquets of truth and beauty and even love instead of weeds dripping with scorn and contempt? Could we affirm by such acts that each human person is of some mysterious, precious value? Could that help to transform the nature of the world for the better? Could that make the situation of all of us a better one? Could we live into the ideal (despite the existence of error and evil and despite those who refuse the good) even through the debased modes of social media and online comments?

You see what I am: change me, change me! --Randall Jarrell

Wednesday, August 02, 2017

Linkfest: some poems online

Images from three in-print poetry books--
The Throne of Psyche,
Thaliad
,
and The Foliate Head.
All art by Clive Hicks-Jenkins.

I have added about 150 links to poems online on the stories-and-poems page. Some are poems or excerpts from published books--Claire (LSU), The Throne of Psyche (Mercer), The Foliate Head (UK: Stanza), and Thaliad (Montreal: Phoenicia)--and others are from future books, including a good many poems from The Book of the Red King. Some of them are not final versions, having been tweaked before they found a home in a book.

Thanks to Clive Hicks-Jenkins and three wonderful designers--Andrew Wakelin of Wales for The Foliate Head, Mary-Frances Glover Burt of Atlanta for The Throne of Psyche, and Elizabeth Adams for Thaliad--the books are beautiful. Good to have and to hold and to read.

Monday, July 17, 2017

Larking at the Clark

https://www.marlboromusic.org/visit/clark-art-institute/
Michael and I had a glorious 30th anniversary celebration over the weekend in Williamstown, MA. Two days at the ever-fabulous Clark Art Institute, feasting at Coyote Flaco etc., lots of walks around Williamstown. (If you go and are of a literary bent, St. John's has a splendid Bunyan "Pilgrim's Progress" window, and there are fabulous John Martin mezzotints of "Paradise Lost" hidden away in a little gallery in the Clark cellar.) Special exhibits on Alma-Tadema, Picasso, and Frankenthaler are on at the moment. Bemused by several pieces that suggested how much Sendak learned from Picasso.... The collection is splendid, with wonderful works by Ghirlandaio, the Master of the Embroidered Foliage, Pesellino, Gainsborough, Homer, Inness, Singer Sargent, and many more.

I discovered that a person cannot get away from Cooperstown in Williamstown, and not only because Sterling Clark was brother to Stephen Clark, who founded so much in Cooperstown with their father's share of the Singer fortune. Saw a stone-and-bronze monument to Ulysses Grant (Negro Leagues star) that mentioned The Baseball Hall of Fame, and three paintings by local painter Tracy Helgeson were hanging in the front window of Greylock Gallery. 

That was my third and longest visit to the Clark. If you have not been, it is well worth the trip. And there are now trails and a big reflecting pool and new galleries and study areas. I came home with books about the Clark collection, Dürer, and Owen Jones's The Grammar of Ornament.

Wednesday, July 12, 2017

Marly at Porter Street


Big thanks to Chris Phillips for featuring "The Wrexham Coverlet" and "At the Fall in Borderlands" (published in the current issue of John Wilson's new Education and Culture) on his podcast, Word from Porter Street (#4 new series.) I'm at 2:45, but listen to the whole thing; it's a quick 15 minutes. Jump just HERE.